Equipment Rental at Tonstudio Leipzig
TONSTUDIOLEIPZIGA studio by Fabian Günther
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Hire Neumann microphones at Tonstudio Leipzig.

Hire a Neumann.
Equipment hire in Leipzig.

Planning a recording away from the studio, such as a concert, a podcast or an audiobook? You can hire high quality Neumann microphones here, with clear terms: a deposit, handover in person and a briefing.

Equipment rental at Tonstudio Leipzig — Neumann U 87 Ai, M147 Tube, KM 184 and KMS 104 professional microphones for recordings away from the studio
The Neumann standard
4 professional microphones from active studio practice
A personal briefing
30 to 60 minutes at handover
Clear terms
insurance, a deposit, a written record
Studio tested
in active use, not gathering dust in storage

Four high quality Neumann microphones, from active studio use for your recording away from the studio.

These microphones are not stock from a warehouse. They are in active use at the studio for vocals, audiobooks and more, so they are well maintained. At the briefing you also get real practical knowledge, not just theory.

Four microphones are available. Neumann U 87 Ai stereo set (2 microphones): the studio classic for speech and vocals. Neumann M 147 Tube: valve microphone with a warm sound for vocals, speech and voice over. Neumann KM 184 stereo set (2 microphones): for acoustic guitar, piano and room recordings. Neumann KMS 104 plus BK: stage microphone for live vocals. Plus matching microphone stands and mounts.

The day hire starts from €150. Three periods to choose from: a day hire for short jobs, a weekend hire (Friday to Monday), a weekly hire for longer projects. You get the exact price when you ask. Please send: the microphone you want, the period, the area of use, your own recording equipment and your insurance details. Short questions also work by WhatsApp or email.

Areas of use

Six typical areas of use, where professional studio microphones make the difference.

Six typical areas of use where hiring is worth it, with matching microphone recommendations.

A live concert recording

A hall recording with studio quality

For concerts and acoustic sessions, a recording with professional microphones sounds considerably better than a phone recording. Recommendation: the KM 184 stereo set for the hall recording, plus the KMS 104 plus BK for the vocal recording on stage. You need your own audio interface with phantom power.

Field recording

Recordings outside with studio detail

For nature recordings, film atmosphere or interviews at several locations, high quality microphones with fine detail make a real difference. Recommendation: the KM 184 stereo set for atmosphere recordings, the U 87 Ai or the M 147 Tube for speech at quiet locations. Stands and mounts are included.

Podcast & audiobook

Speech with a genuine studio feel

For longer podcast or audiobook recordings away from the studio, you hear the difference with a professional microphone clearly. Recommendation: the U 87 Ai as a versatile speech microphone, the M 147 Tube for present, characterful voices. With several speakers, two U 87 Ai can be used at once.

An album recording elsewhere

Recordings at particular locations

Want to record at a particular location, such as an old church? You need equipment that captures the room's atmosphere. Recommendation: the KM 184 stereo set for the room, the U 87 Ai or the M 147 Tube for the voice or main instrument. A combined setup is possible on request.

Film and video production

Location sound and voice over for indie films

For indie films or documentaries with a demand for studio quality, a professional microphone matters for clean location sound or voice over. Recommendation: the U 87 Ai as the standard for voice over, the M 147 Tube for narration. For commercial film productions, use the separate B2B page.

Extending a setup

Extending a home studio with a professional microphone for one job

Already have a setup and just need a professional microphone for one project? Buying often does not pay off. Recommendation depending on the project: the U 87 Ai or the M 147 Tube for voice, the KM 184 for instruments, the KMS 104 plus BK for live vocals. Describe your project when you ask.

Packages

Three hire periods from a day hire to a longer project hire.

Three packages depending on the hire period. You get the exact price when you ask.

A day hire

A one day job with a clear return

For 1 to 2 days. Good for a single concert recording, a voice over appointment or a short outdoor recording. Handover the day before, return the day after by arrangement. For more than 2 days the weekend package makes more sense.

A weekly or project hire

Longer projects from a week upwards

For larger projects: album recordings elsewhere, longer podcasts, film scoring or audiobooks. At least one full week, with individual terms. For a hire of several weeks, please ask particularly early.

Several microphones combined

Need several microphones at once, say two U 87 Ai for a podcast with several speakers? That is possible. The deposit and hire cost add up accordingly. Describe what you need when you ask.

An extended briefing

The standard is 30 to 60 minutes of briefing. With a more complex setup, say a stereo construction with two KM 184, a longer briefing makes sense. This is arranged in advance.

Advice on use beforehand

Not sure which microphone fits? Book an initial consultation in the studio shop beforehand. You describe your project, I recommend the right microphone.

What makes my studio different

Three factors that set this hire service apart from online equipment rental firms.

Online rental firms have plenty of stock, but little advice. Three factors make the difference here.

Studio equipment in active use instead of stock from a warehouse

These microphones are not warehouse stock. They are used daily at the studio for real recordings and serviced regularly. You get a microphone that was on an album just now, not one sitting in a cupboard.

A personal briefing with a handover record

Online rental firms ship the microphone with a leaflet. Here you get a personal briefing of 30 to 60 minutes, a joint condition check and a written handover record. That protects you from mistakes and creates clarity for the return.

Clear legal terms instead of small print

Insurance, deposit, what happens with damage and the return conditions are all communicated clearly in advance. No surprises afterwards. That gives both sides certainty.

Why hire

Six reasons why hiring is often more worthwhile than buying.

Buying a Neumann microphone rarely pays off for a single job. Six reasons why hire is often the better choice.

01 The economics

No investment for a one off project

A Neumann microphone often costs several thousand euros. For a single project that is rarely worth it. Hire costs a fraction and still gives you the studio microphone.

02 A test before buying

Before you invest in a Neumann yourself

Thinking about buying a Neumann microphone yourself? Hiring is a real practical test before you invest several thousand euros.

03 Recording outside

Studio quality at an outside location

Does your project happen outside your studio, such as at a concert or interview? Studio quality travels with you to the location.

04 No maintenance

You save storage, maintenance and insurance

Owning a microphone means storage, maintenance and insurance. With hire I take care of that, you use it only for your recording time.

05 Advice included

Practical knowledge from studio practice

Buying only gets you a manual. Hiring gets you a briefing of 30 to 60 minutes with real practical tips.

06 Flexibility

Different microphones for different projects

Instead of investing in one microphone, you choose the right model for each project. With your own equipment, that choice would hardly be affordable.

Preparation

Six points that should be settled before your hire enquiry.

A good enquiry saves time and leads to a specific offer faster. Six points to settle beforehand.

1
The choice of microphone

Which model suits your use?

Think about which microphone suits your project. Rule of thumb: U 87 Ai versatile, M 147 Tube for voices, KM 184 for acoustic instruments, KMS 104 plus BK for live vocals. If unsure, an initial consultation helps.

2
The period

The exact start and end date

Set the collection and return days, with at least 1 to 2 weeks of lead time. For weekend hires: collection Friday afternoon, return Monday morning.

3
Insurance

Have your liability cover checked

Ask your liability insurer whether borrowed high value items are covered. Bring the policy number and written confirmation to the handover.

4
The deposit

Plan for the level of the deposit

We tell you the deposit in advance, based on the microphone's value. Payment in cash on collection or by transfer. Returned after the function check.

5
Your own equipment

Prepare your audio interface and cabling

For the U 87 Ai, KM 184 and KMS 104 plus BK you need 48 volt phantom power. The M 147 Tube needs its N 149 A power supply. Bring your own XLR cables. Describe your equipment when you ask.

6
The briefing appointment

Plan time for the personal briefing

Plan 30 to 60 minutes for the briefing, without time pressure. With a more complex setup, plan more time.

How a session runs

How your equipment hire works actually goes.

So that you know what to expect, four structured steps from the enquiry to the return.

01

An enquiry with specific details

Send an email or WhatsApp message with: the microphone you want, the period, the use, your equipment, your insurance details and experience level. With larger setups, an initial consultation in the studio shop is worth it.

02

Confirmation with the terms

I check availability and insurance and come back with the hire price, deposit and a date. You confirm, then the handover date is set. Urgent enquiries under a week are only rarely possible.

03

Handover in person with a briefing & a record

At the studio: show the insurance confirmation, leave the deposit, joint function check, a briefing of 30 to 60 minutes, sign the handover record. Only then does the microphone leave with you.

04

The return with a function check

At the return we check the microphone together and compare it with the record. If everything is fine, you get the deposit back right away. Any damage is handled through the insurance.

The place & the terms

Handover at the studio in Zentrum-Süd, clear terms create trust on both sides.

All hire arrangements run exclusively through Tonstudio Leipzig in Zentrum-Süd. Here is an overview of the most important terms on site.

Handover in person

Collection at the studio in Zentrum-Süd only

Shipping is not possible. Handover in person with a briefing is a fixed part of the hire. Plan the journey from Halle, Markkleeberg or Dresden accordingly.

The insurance requirement

Private liability cover has to cover high value items

Without proof of insurance there is no handover. Bring the policy number and written confirmation that other people's property is covered up to its current value.

The deposit

A high deposit reflecting the current value of the microphone

The deposit is based on the current value and is in the four figure range per instrument. Payment in cash on collection or by transfer, returned right after the check.

Lead time

At least 1 to 2 weeks of lead time, ideally longer

Spontaneous enquiries only work in rare exceptions. For weekend hires at least 1 to 2 weeks of lead time, for longer projects ideally 3 to 4 weeks.

The briefing

A 30 to 60 minute handover briefing on site

The briefing is mandatory, not optional: operation, handling and tips for your use. With a more complex setup, more time accordingly.

Studio address

Bernhard-Göring-Straße 17 in Zentrum-Süd

The studio is at Bernhard-Göring-Straße 17 in 04107 Leipzig, in Zentrum-Süd, within walking distance of the Karli. Parking in the courtyard, low barrier access. Also easy to reach by tram or S-Bahn.

Frequent questions

Questions about equipment hire at Tonstudio Leipzig.

The most important answers before your enquiry. Short questions welcome by email or WhatsApp.

Four high quality Neumann microphones:

Neumann U 87 Ai stereo set (2x), the studio classic for speech, vocals and main microphone use.

Neumann M 147 Tube, a large diaphragm valve microphone with a classic character for vocals, speech, voice over, film dubbing and solo instruments.

Neumann KM 184 stereo set (2x), a small diaphragm condenser for acoustic guitar, piano, strings, wind, ensembles and stereo recordings.

Neumann KMS 104 plus BK, a condenser vocal microphone for the stage with a pop shield and good resistance to feedback.

Plus matching microphone stands and mounts.

The day hire starts from €150. The exact hire cost depends on the microphone, the period and the use .

Three packages: A day hire for 1 to 2 days, a weekend hire (Friday to Monday) as the most popular option, a weekly or project hire from a week upwards.

I deliberately avoid a price list here. When you ask, you get a specific offer transparently.

For longer project periods or several microphones, individual terms can be negotiated.

The deposit is set deliberately high, at least 70 percent of the current value of the microphone.

With these professional instruments it is in the four figure range per microphone.

The Neumann U 87 Ai, M 147 Tube and KM 184 stereo sets sit in the upper professional segment, so the deposit has to cover a realistic share of the current value.

With several microphones the deposit adds up.

It is returned immediately after a satisfactory function check.

Private liability insurance is mandatory.

It has to cover borrowed items up to the corresponding current value . Many standard private policies do, but check specifically with your insurer beforehand.

Where it helps, special equipment policies for high value items.

Show proof of insurance at the handover.

Without that proof no handover is possible.

With damage or loss, your insuranceapplies first.

Compensation at the current value, with Neumann professional instruments typically in the four figure range.

With a complete loss, replacement with an equivalent new instrument.

The deposit left with me serves as securityin case the insurer does not settle promptly.

The procedure is documented in the handover record .

At least 1 to 2 weeks for weekend hires.

Ideally three to four weeks with larger projects or several microphones.

Two reasons: first, checking availability, because the microphones are also in active use at the studio. Second, preparing the proof of insurance, the deposit, the briefing appointment and the handover record.

Spontaneous enquiries with less than a week are only possible in rare exceptions can be arranged.

At the handover, a briefing of 30 to 60 minutes on the specific microphone.

The content: correct handling, proper transport, the right order for connecting and powering it, tips on use, common sources of error, microphone positioning.

With the M 147 Tube there are also notes on the warm up time of the valve.

The briefing is mandatory, not an optional extra.

It protects you from mistakes in use and the microphone from improper handling.

An honest answer: no.

These Neumann professional microphones are not meant for first time users, they deserve experienced hands.

Who it is for: advanced hobby sound engineers, semi professional indie artists, independent podcast producers, hobby audio engineers with live recording experience.

If you are just starting out, cheaper entry level models from a music shop or a studio coaching appointment is the better choice.

Yes, you have to bring that yourself.

The U 87 Ai, the KM 184 and the KMS 104 plus BK need 48 volt phantom power. The M 147 Tube works with its own N 149 A power supply. Your interface, mixing desk or field recorder has to suit the microphone in question.

With M 147 Tube the N 149 A power supply is particularly important and is explained at the briefing.

Describe your equipment briefly when you ask, and I check compatibility in advance.

Bring your own XLR cables too.

For specific enquiries, directly by email or the initial consultation in the studio shop.

With your enquiry please send: the microphone you want, the period, the use, your own recording equipment, your level of experience, your insurance details.

For short questions before a specific enquiry, you can also send a WhatsApp message or a short email.

Contact by phone is possible too.

Urgent enquiries with less than a week only in exceptional cases.

Exclusively collection in person at the studio in Zentrum-Süd.

Three reasons: the personal briefing is mandatory, the handover record has to be signed in person, and the risk in transit with valuable instruments is not acceptable without a handover in person.

If you are coming from further away, plan accordingly.

With longer hire periods the effort of the journey matters less.

This page is written for private individuals, hobby audio engineers and semi professional users.

If you work for a company, an advertising agency, a film production with a record deal or commercial event technology , there is the separate business site of Tonstudio Leipzig.

There with project specific agreements, higher minimum liability cover and invoicing.

Ready for a specific hire enquiry?

Write to me about your recording outside the studio.

Write to me about which microphone, which period, which use and which equipment you have. With larger setups, the initial consultation in the studio shop is worth it. Short questions work by WhatsApp or email. Commercial enquiries go to the B2B page. Please plan for at least 1 to 2 weeks of lead time.